Wednesday, May 8, 2013

John Dix

John Dix, based in Japan, traveled to Mendocino County to lead a wood fire workshop with Mendocio based Nick Schwartz who has an anagama kiln. Their work, along with Judith Duff's, is on view at Trax Gallery in Berkely.  The show showcases a range of woodfired work with husky forms and deluxe surfaces.
John Dix and Stefanie Nagorka May 4, 2013





new neighborhood

This has been a year of many changes. I'm now living in Sebastopol, CA. Evening walks down the lanes have opened a delightful world of new vegetation and domestic bliss.




Friday, January 18, 2013

oakland

more 33rd street.
I've just landed a teaching job in Santa Rosa.  Now, I'm savoring looking at my block here in Oakland.

Thursday, January 17, 2013

the wall

tries to muffle the freeway and BART but doesn't do a very good job.

Wednesday, January 16, 2013

Oakland

I moved to Oakland last summer.  Its winter now.  And the calla lillies are blooming on 33rd Street


Monday, September 26, 2011

drawing

this post marks a return to drawing as a daily commitment. The starting point is paper as figure and ground. This piece is cut chipboard - a pad backing - and drafting vellum.

Sunday, August 14, 2011

SF/Berkeley

 I've been spending the summer in Berkeley, CA. teaching, making work, being part of the Cafe Gratitude community and exploring neighborhoods.  Connecting with artists and communities here is inspiring me to spend more time here.  Oakland has many co-operative houses and studios. Permaculture practice is permeating the yards. I'm smitten with the notion of living in urban self-sustaining community.
The Sculpture class I taught at UC Berkeley ASUC ceramic studio is now over. Thank you all for making the experience very positive.  For our end of session last hurrah, yesterday we field tripped it over to SF to gallery hop. Spent most of our time at 49 Geary Street.  Favorite pic was Yashitomo Saito 1000 prayers at Haines Gallery
What was it that made this show the pic of the day? Nature centric, the forms were fashioned from roots and twigs, and appeared to be wood with a waxy coating. Satisfyingly simple. It was surprising to discover that the forms were all cast bronze using the lost wax technique.  Forms were made in units no larger than 18", then welded together. Saito has created a lyrical body of abstract works that feel as though they've emerged fully formed out of the earth.